#Rogue one commander peter cushing movie#In 1977, George Lucas released a science-fiction action film and began a franchise that would very soon skyrocket and make its way into movie stardom. Tarkin, although he exists in a fantasy world, had to look convincingly human - which carries a much higher degree of difficulty.Fiona Sullivan ’18 is a fan of the Star Wars franchise. Jones, of course, was a fantastical character, whose face sports octopus-like tentacles. In that film, which won an Oscar for its visual effects, Nighy played the character on set and then was replaced with a CG version based on his performance. For example, he worked on Davy Jones, the character played by Bill Nighy, in Pirates of the Caribbean: Dead Man’s Chest. Rogue One’s Knoll is no stranger to creating digital performances. Explains Letteri, “The sound editors had to craft the vocal performance out of existing dialogue from Paul, and we had to animate to that.” To complete the illusion, the WETA sound team then had to add a convincing simulation of Walker’s voice mouthing new dialogue. The rest of Furious 7 was completed with outtakes or older footage of Walker that was manipulated with VFX to fit into the new scene. These are really small details, but if you get them wrong, you feel that there’s something fake about the performance.”ĭisney Exec Reveals Why There Are No Lightsabers in 'Rogue One' Advertising It seems like particular attention to the corners of the mouth is an easy place to get it wrong because there is so much compression and tension there. (If money is no object, could a producer threaten a difficult actor with a CG replacement?)Īttempts to create CG humans, whether for films or videogames, run the risk of falling into the perceptual zone that is known as the “uncanny valley” - when a viewer sees a character that is very humanlike but not quite right, the viewer’s response can shift from empathy to repulsion.ĭiscussing how the digital Walker was created for Furious 7, Weta VFX supervisor Joe Letteri has said, “Important things to getting a convincing performance was getting the speed of movement to the eyes - the subtle responses - and also the shape of the mouth. The work on display in Rogue One is an impressive new example of the potential for creating CG human characters - the audience at last weekend’s Hollywood premiere erupted in enthusiastic applause at the return of familiar characters like Tarkin - and it will no doubt spark plenty of debate about how, and why, CG humans could be used in future movies. They also have been used in order to show either a younger or older version of a character, as was the case with Brad Pitt’s performance in The Curious Case of Benjamin Button and Robert Downey Jr.’s in Captain America: Civil War, where a younger version of Downey’s Tony Stark has a crucial scene.įull CG digital doubles are also frequently used in action or fantasy films when the story calls for placing an actor in a situation that is too dangerous - or simply impossible - to film. To date, digitally created or enhanced humans have been used for only a few specific reasons, such as when an actor dies during the course of a production - the most recent high-profile example being the digital version of the late actor Paul Walker that was created to complete 2015’s Furious 7. Otherwise if you want, say, George Clooney, why not just film George Clooney? VFX pros agree that there needs to be a compelling reason to create a CG human. The creation of a believable CG human - which has long been considered the holy grail of the visual effects industry - has presented a challenge for even the world’s most skilled VFX artists and companies. “He was going to be totally replaced, and then had to keep it all secret. “It was a massive thing for him, it was very gracious of him, because essentially he’s doing this big performance and getting zero credit for it,” Edwards told RadioTimes. Henry played the part of Tarkin on set, then the VFX team took over to transform him into Cushing. To accomplish that, the filmmakers hired Guy Henry, a 56-year-old British actor - he appeared as Minister of Magic Pius Thicknesse in Harry Potter and the Deathly Hallows - whose long, lean frame and physiognomy bear a resemblance to Cushing’s.
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